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How to Score a song properly.

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michael phils and pastor john olatunji playing the guitar

What does it mean to score a song?

Scoring a song means to listen to the song and perform it exactly the way it was done by the musician.

When a bass guitarist wants to score a song, He listens carefully to what the bass guitarist played in the song and replicates it in the exact same way to perform it. The same thing applies to a pianist, he replicates the part of the piano in the exact same way as it was done in the song.

The same thing applies to all the other musical instrumentalist.

How do you score a song?

To score a song, you are going to do what we call “Active Listening”.

What is active listening?

Active listening means to give your total attention unto something in an attempt to discover the hidden treasures embedded in it

Tips that can help us in active listening

1. Avoid confusing a music video with an audio music:

To train ur listening abilities in music, an audio music is most advisable to listen to mostly, but there is also vital importance to the music video which should guide ur growth in music excellence, these are:

-It heps in learning some musical and emotional expressions of a song, which should actually be peculiar to how you feel the music relate to you.

– It helps to learn and understand more about stage management, stage arrangement, choir settings, stage lightings, instrument arrangement, etc.

Other than these strong reasons, I suggest music audio is better for active listening.

2 .Closing your eyes when listening to music: 

It helps you relate better with the music and also help you view the sounds you are hearing distinctively: you can pick those musical sounds just like u can separate a red colour from a blue in a multicolored patterned cloth. Closing your eyes also makes you relate the music with your current life settings

3. Use your emotional interpretations:

Try to feel what exactly the composer want to express to his listeners and try also to connect with the composer’s reality.

4. Listen to the music with so much positive emotion: 

Allow your feelings and mood to change as the sound you hear changes. Let your feelings be positive.

This is very amazing…. While listening allow the vibes in the music excite u: this part of music is healthy to your body..: involves more secretion of Serotonin, Dopamine (excitatory neurotransmitters).It keeps ur soul and mood beautiful.

5. Remember to use headphones, headsets or earpiece: 

When you are with people you do not want to disturb by playing your music, or in the night to avoid disturbances. Try not to use headphones while driving.
Make sure your headphone is of good quality as headphones with less quality can reduce the quality of the music, and even hinder you from hearing some beneficial spices in the music. Using a quality ear piece and head set greatly helps ur listening

6. Remember that all music – with very few exceptions – are based on repetition, variation and new lines of melody. 

Even when you do not enjoy or like the music, try to pay attention to these three elements as it can eventually help the music click with your heart and emotion.

7. In order to train your ear excellently try listening to microtonal music.

Micro-tonality is the use of tones spaced less apart than our 12-tones toning music. Micro-tonality gives more room for unique emotional feels than some normally toned music can express. Micro-tonality simply does not use intervals found in the 12 equal intervals to an octave. The space or tone of a micro-tonality is less than a conventional space of semitone.

8.Fix yourself in the scenario of what the music is trying to put out: 

Every music piece conveys messages. Check out what the message is about. Is it a story, a word of encouragement, words of hope, for healing? Etc. whatever the message is, you can fix yourself in as though the message is directed to you.         

Bass Line/ Chord Progression of “Arugbo Ojo” by “Minister Kenn”

Chord Progression in solfa notation of “Arugbo Ojo” by Minister kenn

minister kenn arugbo ojo

The chord progression of arugbo ojo  is simply:

lah     fah   doh   soh

in some instances, “lah” was replaced with “reh”

The heavens declare your power and royalty
lah                                     fah                     doh
Lord You reign
soh
King of all ages, You are the Ancient of days
lah                        fah                               doh
Lord You reign
soh
Your throne is established in justice and righteousness
lah                                fah                             doh
Lord You reign
soh
Great are You Lord, and greatly to be praised
lah                           fah                        doh
Lord You reign
soh
We cry holy, holy is our God
lah     fah  doh    soh
Let Your glory, glory fill this place
lah      fah     doh      soh
Arugbo Ojo
lah         fah
Arugbo Ojo
doh          soh
Iwo l’aseda, l’awon eda, l’ameda oh!
lah             fah         doh                    soh
Arugbo Ojo
lah      fah
Arugbo Ojo
doh          sohIwo l’oni iyin, kaabo, kaabo
lah         fah       doh
Ma rora            soh
Arugbo Ojo
lah

Bass Line of “arugbo Ojo” by Minister Kenn

You need to watch the video tutorial above to really understand how the bass line sounds.

the bass line started with

>>>lah
>>>fah
>>>doh
>>>soh

then when it goes to the part of “We cry holy holy”
it goes like this                             f    m    r      f          s l d     d r s

then it goes on to be

l l l l
f f f f
d d d d
s s s s

and it continues like that over and over again.

Solfa Notation of “Iba” by Sola Allyson

Tonic Solfa of “Iba” by “Sola Allyson”

Solfa notation of “Iba” by Sola Allyson suitable for saxophonist, guitarist, pianist and solo instrumentalist. Enjoy. Please drop your lovely comments.

Iba re ni ma f’aiye mi ju                        d d m    m s m s m s

Sisin oo lemi a figba m ise                    s d m     r m f m l  d d

Shebi iyen nooni                                   l d s l d m

Iyen gangan sha lo da mi fun                d m m m s m s m s

Eni aiye riaye to nigba mi o                  l l l d s l  l r r m m

Ogo f’oko re                                         d r r m m d l d

Afuye gege ti o she gbe                        l d d s s r d d s s

Jigbin ni jigbin ni bi ate ileke               m m m s s s     r d d d d

Kabiyesi mo se’ba re                            s s d m r    d l l d

Oba to ju gbogbo oba lo                        r r m r d d d d

Afuye gege ti o she gbe                        m s s m m s d s s

Jigbin ni jigbin ni bi ate ileke               m m m s s s r d d d d

Kabiyesi mo se’ba re                            s d m r d l l d

Oba to ju gbogbo oba lo                       r r m r d d d d

Mo se’ba re o, mo se’ba re                   m r r m  m r r m

Mo fori ba’le mo gbowo soke              m s r d  m s s s s

Mo se’ba re o, mo se’ba re                   m r r m  m r r m

Nirele okan mi mo wa ri                      s d d r d m m m s s

Kabiesi o mo se’ba re                          s s d m r d l l d

Oba to ju gbogbo oba lo                     r r m r d d d d

Ta lo le so                                          l d m s

Ta lo le ka won                                  s l d d s

Awon irawo t’owa loju orun             s l s s s  d s l l m s

Egbe isiro le won                              l d s m l s

Ke so fun wa                                      l s s l s

Awon erupe inu okun                        s l s s s    l d m s

Tal o le so                                          s l m s

Ta lo mo’ye                                       s l m s

Ewa iseda toyi wa ka                        m d d d m s s m s

Iyanu fun dudu                                 m s s d d d

Iyanu fun fufun                                m s s l s

Ose fe ni to gbon ati eni to go         s m s m s s    d m m s s

Kaabiesi o mo se ba re o                  s s  d m r r d d r

Oba to ju gbogbo oba lo                  m m s m d d d d

Oju mi tiri                                       m s s m m

Eti mi ti gbo                                    m s s m s

Iyanu re yi aye ka                           r m m s s m s s

Mo gbo ninu eri awon eniyan mi mo      s l d d d s l d d s s

Mori ninu itan                                m m s s d

Emi gangan nitan                           d m m m s d   l l l d m s

Gbogbo ise re dadada ni                l l l d s l   l-s l-s l s

Aburu kankan o todo re wa           m m s m m s s s r m

Ohun gbogbo lole yi pada             l l l l d m s m d

Sugbon rara tododo re ko             d m s s d r d r s

Kabiyesi o mo se’ba re o              s s d m r d d r

Oba toju gbogbo oba lo e             r r m d d d d

Bass Line/ Chord Progression of “Great are you Lord” by sinach

Chord progression in solfa notation of “Great are you Lord” by Sinach


Holy Holy, God almighty
doh              soh
It’s a privilege to worship You
lah                                  fah
Maker of all universe
doh               soh
It’s an honour just to stand before You
lah                                  fah

With a grateful heart I lift my hands to You
fah                                   lah       soh     mi  fah
Proclaiming Lord You reign
soh
With a grateful heart I lift my hands to You
fah                               lah       soh     mi  fah
Proclaiming Lord You reign

soh

Great are You lord
doh
Greatly to be praised
soh
Greatly to be praised
reh
Father You reign
fah                           doh

 Bass Line in solfa notation of “Great are you Lord” by Sinach

The bass line used in the song is written below. You should watch the video above to hear how the bass line really sounds.

d   d   d   d
s   l   t   t   t   t
l   s   l   l   l
d   f   f   f

f f f
s d l l l s m f
r: s s s

d d d
s s s
f f f
r r r

Bass Line/ Chord Progression of “Alpha and Omega” by Eben

 Chord Progression in solfa notation of “Alpha and Omega” by Eben


You are the God that opens every door
doh                                                       fah
You are the God that makes the lame to walk
doh                                                                soh
You are the God that makes the blind eye see
doh                                                                  fah
You are the God that gives me victory
doh                                                        soh

Alpha and Omega
doh
We worship your name
fah
We worship your name
doh
We worship your name Lord
soh
We worship your name
doh

Bass Line of “Alpha and Omega” by Eben

The bass line is written below, you should watch the video above to know how it sounds.

doh (16x)
fah (16x)
doh (16x)
soh (16x

Bass Line/ Chord Progression of “Alpha and Omega” by Eben

Bass line/Chord progression of “you do mighty things” by Sinach

Chord Progression/ Bass line of “Wonderful wonder” by Nathaniel Bassey

Five popular Reggae bass lines you should play on your bass guitar

Two Bass line grooves for 1 – 5 (doh – soh) highlife progression

Bass line tutorial of “I love you forever” by Tye Tribbett

How to play “Kaabio osi ooo, you are the God of…” on the bass guitar

How to play “do do do, oghene do on the bass guitar”

Get our ebook of progression of over 150 nigerian praise and worship songs for beginner bass guitarist

Bass line/Chord progression of “you do mighty things” by Sinach

Chord progression in solfa of “You do mighty things” by sinach

I stand amazed in your presence

lah                       fah            soh
There is nothing you cannot do
lah                   fah                      soh
I stand amazed in your presence
lah                       fah            soh
There is joy peace and hope
lah                 fah                soh

There’s no one like you,     Jesus
fah                                      soh
There’s no one like you,    in all the earth
fah                                      soh
There’s no one like You,    Jesus
fah                                      soh
There’s no one like you
fah                                      soh

You do mighty things
doh
You do glorious things
fah
You’re a faithful God
lah
Awesome is your name
soh

Bass Line of “You do mighty things” by Sinach

In the first part of the song they started with
L  f  s  s  s
L  f  s  s  s
L  f  s  s  s
L  f  s  s  s
then in the second part they moved to
f   d  f       s  r  s
f   d  f       s  r  s
f   d  f       s  r  s
f   d  f       s  
then in the third part they moved to
d d   d d d 
f  f    f  f  f
l  l     l  l  l
s  s    s  s  s 

Chord Progression/ Bass line of “Wonderful wonder” by Nathaniel Bassey

The song is in the key of G#

Chord Progression in solfa of “Wonderful Wonder” by Nathaniel Bassey (Beginners)

The progression of the song is simply:

Summer      Winter       Autumn, spring
fah              doh             lah                         soh
Mountains    Blue skies   And the seas
fah                doh              lah                       soh
Rainbows   Sunshine    And the trees
fah              doh             lah                      soh
Jesus           Maker        Of them all
fah              doh             lah                       soh
Jesus
fah              doh             lah                         soh

Bass Line of “Wonderful wonderful wonder” by Nathaniel Bassey

The bass line used here was definitley coined out from the progression of the song

At first they started with:

fah              doh             lah                soh

then they used:

f f m f l d
r l
r s

Watch th video below for more illustration:

Bass Line/ Chord Progression of “Alpha and Omega” by Eben

Bass line/Chord progression of “you do mighty things” by Sinach

Chord Progression/ Bass line of “Wonderful wonder” by Nathaniel Bassey

Five popular Reggae bass lines you should play on your bass guitar

Two Bass line grooves for 1 – 5 (doh – soh) highlife progression

Bass line tutorial of “I love you forever” by Tye Tribbett

How to play “Kaabio osi ooo, you are the God of…” on the bass guitar

How to play “do do do, oghene do on the bass guitar”

Get our ebook of progression of over 150 nigerian praise and worship songs for beginner bass guitarist

Getting the key of a song with your bass guitar 1

How to find the key of a song using your bass guitar

When you want to accompany a song with your bass guitar, the first step to take is to look for the key of the song on your guitar. Although, this applies to all musical instruments.
Today we are going to take a look at how we are going to get the key of a song on our bass guitar. We are going to be using five songs as examples for you to understand.

Getting the key of a song with your bass guitar

1.  Alpha, Omega besides thee, there is no other God
2.   Count your blesssings name them one by one, count your blessings see what God has done….
3.   Light of the world, you step down into darkness, open my eyes let me see(here I am to worship)
4.   You are great yes you are, Holy one, walked upon the sea, raise the dead……
5.   Alagbara, eledumare, jehovah nissi, nothing compares to you lord, the mightiest and the stringest, the biggest……
 The scope we want you to use to get the key of any song on the bass guitar is to listen to the song to a point whereby it comes to a rest, you see that point by which it comes to a rest, that is where you would pick yoour key from.
Although this does not apply to all songs, but it is a good way to start. There is a video tutorial above that you can watch to understand better.
We would be giving you the solfa notation of all these songs, so that you would understand better. We don’t need to sing the songs to the end before we can get the key, we only want a point whereby the song comes to a rest.

Below are the solfa notation of the five praise and worship songs that we used:

 d s        Alpha
s d l       Omega
l r d t      Besides thee
t t t l t d   There is no other God
 s s d s s m f m f       count your bessings name them one by one
r r t l s f m f s           count your blessing see what God has done
d t t l                        count your blessings
t t l l s                       name them one by one
d d d  s t  l s f m r d  and it would surprise you what the lord has done
m m f r r m f f m r d      light of the world you step down into darkness
m m f r r m d                 open my eyes let me see
m m f r r m f f m r d      beauty that made this heart adore you
m m f r r m d                 hope of a life spent with you
m f s  s d d                    You are great yes you are
d l l                                holy one
s s l m s                         walked upon the sea
m r r                              raised the dead
d s s s d d                      you reign in majesty
d l l                                mighty God
l l s s s f m r t d             everything written about you is great
m s s f                            Alagbara
r m r r d                         eledumare
r m m d t                        Jehovah nissi
s s s l l l s                       Nothing compares to you lord
 m s s m m f l                The mightiest and the strongest
r f f r r m d                    The bggest and the brightst
r m d t                            I love you Lord
f f r m r d                       You are an awesome God
Do you now see that all these songs come to a rest at ‘doh’. Also in these songs, ‘doh’ is the root note. Therefore you would now look for that particular ‘doh’ note on your bass guitar. You need to be very attentive to get that particular note correctly. The video explains better.
It is advisable that you find that note on the fourth or third string, so that you can easily find your way around accompanying the song.
It would not be easy explaining using only text, or only a video. That is why we made both a video tutorial and a written tutorial to make you understand better.
We hope you like this tutorial. Please share and drop your  comments.

Passing Chords to add to your piano chord progression to make it sound more beautiful

Passing chords to spice up your chord progression

We are going to learn how to use passing chords to supplement our chord progression to make them sound more beautiful.

What are passing chords?

Passing chords are chords played in-between a chord progression. They are mostly used to transport to the next chords in a chord progression and also to add color to the chord progression.

When talking about passing chords, we will be refering to chords like domninant chords, dminished chords and altered dominant chords but we will be dealing with the dominant 7th chord.

 (This tutorial is in the key of C)

The dominant 7th chord consists of the 1st, 3rd, 5th, and b7th note of the major scale. For example the notes of the C dominant 7th chord would be

C    E    G    Bb
d     m    s    taw

The chord is mostly used to transport up a fourth(fah) or it usually resolves up a fourth(fah). If you are confused about what a fourth mean then you will have to learn about the Circle of Fifths/Fourths first. Using the circle of fifths/fourths, you will agree with me that moving up a fourth will be

C > F > Bb > Eb > Bb > Db > Gb > B > E > A > D > G

So if we say that the dominant 7th chord best resolves up a fourth, we simply mean that a C dominant 7th chord can resolve to an f major/minor chord, an F dominant 7th chord can best resolve to a Bb minor/major chord….e.t.c.

Now with this in mind, we can now think of its application into our gospel songs. Let’s take a common chord progression (1-4-6-5-1). This progression moves from 1(doh) to 4(fah) to 6(lah) to 5(soh) and back to the 1(doh).

If we play it using our regular diatonic chords in the key of C major we will get
C major – F major – A minor – G major – C major
doh          fah           lah            soh           doh

But when we decide to add in our newly learnt passing chord, we will look at those spots that we actually have to progress up a fourth and apply our dominant 7th chord there. Doing this , our new progression will now look like this.

C major – C dominant 7th – F major – A minor – G major – G dominant – C major
doh                                      fah            lah            soh                                 doh

Chord for C dominant 7th is:   d m  s  taw
Chord for G dominant 7th is:    s  t   r  f

So in the key of C if you are going from doh to fah you can play C dominant 7th in between, and if you are going from soh to doh you can play G dominant 7th in between.

Did you hear how interesting that sounded? try it and see and don’t forget to share this with a friend.

Watch Michael Phils Music helpful videos for the piano and guitar

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Have you been looking for a well arranged archive of our helpful videos of the piano, bass guitar and rhythm guitar. Don’t look to far, you can check
out our youtube channel to see our video archives. we would keep adding more videos to the channel so you can learn more.

Little Nigerian kids practicing the piano and singing at the same time
Using the michael phils music chord progression ebook to play praise and worship songs