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How to get the bass line of a song from the chord progression as a beginner

A lot of guys ask me to give them some bass-lines that they can use for praise and worship. I simply tell them to know  their progressions very well first before they start thinking about bass-lines. Chord progression is the rudiment of bass lines and, if you know your chord progressions very well, bass lines would be something you can improvise as you play to any given song.

getting the bass line of any song from the progression as a beginner

Lets take a look at this song sang by Lara George for example; “hallelujah”.

The chord progression of the song is

F      C      G      C
fah    doh  soh    doh

To get the bass line out of this progression, there is something we call “chord tone”

A chord tone is a note that can be played along-side a chord that would give a meaningful sound.

For example:

The chord tones for the 1 chord(C or doh chord) can be:
C,E,G i.e d,m or s
They are the chord tones because they are one of the elements of the 1 chord(C or doh chord).

Another example: What are the possible chord tones for the 4 chord(F or fah chord):

Tip: just bring out all the elements of the F chord:

They are F A C
f  l   d

Now lets get back to business

How do we get the bass lines from the progression since we now know their chord tones

The chord tone for G is    G B D
s  t   r

lets start with F

We can choose to rearrange the formation of the chord tones in an order that suits us and that suits the timing of the song; we are free to even repeat some particular notes too

Now for the fah chord the bassist used     f f l d f
for the doh chord he used                 d d m s d
for the soh chord he used                  s s t r s
for the doh chord he used                 d d m s d again

but if you are not comfortable with that shape on the guitar as a beginner, you can start with the very basic method by using the chord tones directly as they appear in the chord, see an illustration below:

f l d f l d
d m s d ms
s t r s t r
d m s d m s

Now that’s how you improvise, just make sure you are following the timing. The video is coming soon.

 

Chord Progression solfa of “you are great” by steve crown

choir singing the progression of you are great by steve crown


If you want to know how to play “you are great ” by steve crown on the piano, this post should be helpful. This is the chord progression in solfa notations of “you are great” by Steve Crown. It also includes the guitar solo. You can get the full solfa notation of “you are great” here for solo instrumentalist like trumpeters, saxophonist e.t.c


              doh
you are great, yes you are,

        fah/lah
holy one,

doh
Walked upon the sea,

                soh
raised the dead

doh.
Reign in majesty,

            fah
mighty God,

            lah                        soh         doh
Everything written about you, is great



                       doh
you are great (Response)
fah
you are great (Response)
doh
you are great (Response)
soh
you are great

the guitar solo is:

d r m
r m f: d l
d r m
r d t d r

d r m d l
r m f d l
l s : f m r t d 

Minor chords to add to your playing of praises and worship

In one of my piano lessons(this is the link to the lesson where I talked about minor chords), I revealed a formula that you can use to derive your minor chords. Unfortunately most of us don’t want to take our time to read through. A lot of people want to know more about minor chords of certain notes so they can use it to play praises and worship.

So I’m going to shed more light on how to

adding minor chords to your praise and worship skills

get your minor chords of each notes using a simple formula. Click here to get the parameters to the formula

The formula to get minor chords is

Root + minor third + perfect fifth (get the meaning of minor third and perfect fifth here)

The root is the note in which  we are looking for the chord

at the same time: note that a minor third is three semitones from the root note
and that a perfect fifth is seven semitones from the root note.

C  C#  D  D#  E  F  F#  G  G#  A  A#  B  C  C#  D  D#  E  F  F#  G  G#  A  A#  B  C
d   de   r    re   m f   fe   s    ze   l    taw t    d  de   r    re   m f   fe   s    ze   l    taw t    d

We can continue on and on like that….
Now let us derive the chords from the formula:

let us find the chord minor Chord of C, this means that C is the root.

So from the formula

Root + minor third + perfect fifth

the root is C

recall that minor third is three semitones from the root note; so if we count three semitones from C, we have D#

recall that perfect fifth is seven semitones from the root note; so if we count seven semitones from the root note we have G

Therefore, the minor chord for C or doh is C D# G, which is equivalent to D re s

I hope you understand.

Now use this same principle to find the minor chord of D, E,F,G,A,B i.e r m f s l t d

Check your answers below if it is correct:

C  D#  G          d re s        doh minor chord
D  F  A             r f l           reh minor chord
E  G  B            m s t         mi minor chord
F  G#  C          f ze d        fah minor chord
G  A#  D         s taw r       soh minor chord
A  C  E           l d m          lah minor chord
B  D  F#         t r fe           ti minor chord
C  D#  G        d re s          doh minor chord

So now, get back to practice and try to apply them to your worship and praise songs. God bless you.

Chord Progression solfa of “I Love You” by Tye Trybbett

 

Some one requested that I make this post on the chord progression solfa of “I love you forever” by Tye Tribbett

instrumentalist playing I love you forever by tye tribett
   Fah(F)
I love you forever
   Lah(A) – Soh(G)
I love you forever
   Fah(F)                doh(C)
I love you forever Lord
                                Fah(F)
We give                   Glory to God
                                Soh(G)   Lah-Soh
                                Glory to God
                                FAh                           Soh
Glory to God Forever

Chord progression solfa of “Intentional” by Travis Greene

Intentional

Someone requested that I should post the chord progression of this beautiful song by Travis Green, the name of the song is Intentional.

instrumentalist playing intentional by travis greene

 

              Lah(A)
Oh Oh Oh
                         Doh(C)
Oh Oh Oh Oh Oh
       Reh(D)
Oh Oh
  mi-fah(F)
Oh Oh
Lah(A)                                      Doh(C)
All things are working for my Good
          Reh(D)                        mi-fah(F)
It’s Intentional
Never failing
Lah(A)                                      Doh(C)
All things are working for my Good
Reh(D)                                  mi –fah(F)
All things are working for my Good
(It goes on and on like that with the same (L D R m-fah)
Lah                                                                         doh
I don’t have to worry cos it’s working for me
                                                                                Reh
                                                  It’s working for me
                                                                       Mi – Fah
                                                  It’s working for me

Chord Inversion – Lesson 13

It’s the art of re-arranging the notes of a chord in different ways.
For example:
In the key of C, the 1 chord which is C E G is in the root position, it can be inverted in two major ways:
chord inversions fingering
E G C
G C E
To get the first inversion, take the first note and put it behind the last note
C E G becomes E G C – that is how the first inversion is gotten
From E G C, take the first note again and put it behind the last one; then it becomes G C E – that’s the second inversion.

So use this principle to invert every other chords that you know.

Lesson 5: Intervals
Lesson 6: Chromatic Scale
Lesson 8: Key Signature
Lesson 13: Chord inversions

Fingering for playing chords(triads) – Lesson 12

To play triads, you would need only your 1, 3 and 5 fingers. Forget about the 2 and 4 fingers for now:

fingering for playing chords triads
On the left hand:
5              3              1
C             E              G
D             M            S
On the right hand
1              3              5
C             E              G
D             M            S

Keep at it, and get used to it because this is the standard for playing triads.

Lesson 5: Intervals
Lesson 6: Chromatic Scale
Lesson 8: Key Signature
Lesson 13: Chord inversions

Introduction to chords – Lesson 11

There are three main types of chords:

 

intorduction to playing chords lesson eleven by nigerian man
Major chords (1 4 5)
Minor chords (2 3 6)
Diminished chords (7)
Major chords:
They are gotten from the 1, 4 and 5 degrees. They have three notes they are also called primary chords. This is the formula we use to derive our major chord
Root + major third + perfect fifth
Using the popular types of intervals we learnt ealier, we can break down this formula
(if you have forgotten about intervals and their interpretation using tones and semtones, click here to refresh your memory, because you would be needing it in interpreting the formulas that i would show you)
1 chord which is C            will give us C E G
4 chord which is F             will give us F A C
5 chord which is G            will give us G B D
Those are the three major chords that we have.
Minor Chords: The members of this chords are the 2, 3 and 6 chord.
The formula for deriving the minor chords is
Root + minor third + perfect fifth
Using this formula
We have:
2 chord which is D            will give us D F A
3 chord which is E             will give us E G B
6 chord which is A            will give us A C E
Diminished Chords:
We have only one chord in this group, and that is the 7 chord.
The formula is
Root + minor third + diminished 5th
7 chord which is B            will give us B D F
Work to do:
 
Play all the 12 major chords chromatically
Play all the 12 minor chords chromatically
Play all the 12 diminished chords chromatically
Tips to easily remember How to play all these chords
 
To get a minor chord, reduce the middle note of a major by a semitone

To get a diminished reduce the perfect fifth of a minor by a semitone

Lesson 5: Intervals
Lesson 6: Chromatic Scale
Lesson 8: Key Signature
Lesson 13: Chord inversions

Fingering for the chromatic scale – Lesson 10

This is the correct fingering for the chromatic scale, as it will be easy for your fingers to locomote across the keys of the piano.

chromatic scale fingering
C  Db  D  Eb  E  F  Gb  G  Ab  A  Bb  B  C
2    3    1   3    1   2   3    1   3    1   3     1  2
Note that:     The black keys are played with the number 3 finger
                     Two consecutive white keys are played with fingers 1 and 2

                     A white key is played with the finger 1

Lesson 5: Intervals
Lesson 6: Chromatic Scale
Lesson 8: Key Signature
Lesson 13: Chord inversions

Proper fingering for the 12 major scales – Lesson 9

The way you strike the keys of your piano is very important. To enable easy and uniform movement on the piano, you have to use the correct fingering. Especially when you want to solo over a song or even play chords.

fingering for the major scale
We would take the key of C for an example:
C             D             E              F              G             A             B             C
d             r               m             f                s              l               t              d
The fingering for the left hand is
5              4              3              5              4              3              2              1
d              r              m             f                s              l               t              d
The fingering for the right hand is
1              2              3              1              2              3              4              5

d              r              m             f               s              l                t              d

Lesson 5: Intervals
Lesson 6: Chromatic Scale
Lesson 8: Key Signature
Lesson 13: Chord inversions