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How to use and apply Sus2 or Sus4 chords while playing the piano

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Sus2 or Sus4 chords: Learn them and Apply them to your Playing.

I would like us to talk about what we call Sus2 or Sus4 chords. Never underestimate the power of the Suspended chord.

What then is a Suspended Chord?

A suspended chord is simply replacing the 3rd of mostly a major chord with another note which will either be the 2 or 4 of the scale of the root of the chord.

Example 1:

The CM chord has C+E+G. Now you can replace the E with Either D which is the 2 of the CM scale or F which is the 4 of the CM scale. So instead of C+E+G, you’ll have C+D+G and C+F+G.

Example 2:

The FM chord has FAC. You can replace the 3rd which is A with either G which is the 2 of FM scale or Bb which is the 4 which is the 4 of FM scale.

Tonic solfa of “woship rise” by Travis Greene

Now here are all possible Suspended Chords in a Major Key using the key of C:
1. C sus2 CDG, C sus4 CFG
2. D sus2 DEA, D Sus4 DGA
3. E sus2 EF#B, E sus4 EAB
4. F sus2 FGC, F Sus4 FBbC
5. G Sus2 GAD, G Sus4 GCD
6. A Sus2 ABE, A Sus4 ADE
7. The B Sus chords will be omitted here because most of the notes are outside the CM key or scale.

But, here is what the intermediate and pros like to do; they like to double the note at the top. So your chords would look like

1. C sus2 GCDG, C sus4 CFGC
2. D sus2 ADEA, D Sus4 DGAD
3. E sus2 BEF#B, E sus4 EABA
4. F sus2 CFGC, F Sus4 FBbCF
5. G Sus2 DGAD, G Sus4 GCDG
6. A Sus2 EABE, A Sus4 ADEA

Look at it one way and you have a Sus4 chord. Look at another way and you have a Sus2 chord.
Lesson over for today!

Preacher chord progression to play on your piano

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The strength of the 5 preacher’s chord.
Preacher’s chord as the name implies are chords used to back up your pastor during sermon.

They’re varieties of Preacher’s chord but we’ll focus on this ones.
Let’s ride straight in.

Latest New Solfa notation Ebook now available

This lesson is in the Key of Ab

Progression: 5-6-3-4-6

LH                      /             RH
Eb+Bb+F          /             Gb+Db+F+Ab
F+C+G            /              Ab+Eb+G+Bb
C+Ab+C         /               E+Bb+C+Eb
Db+Ab+C     /                 F+Bb+C+Eb
F+C+G         /                 G+A+C+E

How do you locate the rootless form of a chord?

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ROOTLESS CHORDS

As the name implies, “Rootless” means there’s no root in the chord.

Rootless chords are chords without the root present.

It is believed that every chord can be seen as a rootless form of another chord.

How do we locate the rootless form of a chord?

Simple;

Tonic solfa of Oshimiri Atata by Preye Odede

Look deep

Let’s try an example using a normal Cmajor triad as C-E-G

If you look deep you’ll find out that its also a Rootless Amin7[A-C-E-G]

Did you see the Cmaj triad in the Amin7 chord as A/CEG which is A/Cmaj.

Another rootless chord will be Abmaj7#5 [Ab-C-E-G]

Which is simply Ab/C-E-G.

I believe you’re following up?

I guess so:

Let’s try another example using F minor triad as F-Ab-C

Look it at the triad very well you’ll see a Dmin7b5[D-F-Ab-C] chord.

Your ability to locate chords makes this easy.

It can also be seen as a Rootless Dbmaj7 chord as Db-F-Ab-C.

Now you try this.

Find the Rootless form of the following chords

> D minor [D-F-A]

> F7 tetrad [F-A-C-Eb]

> G diminish triad [G-Bb-Db]

> C dim7[C-Eb-Gb-Bbb]

> Ebmin7[Eb-Gb-Bb-Db]

There are several principle for detecting a rootless chord.

Let me share just one today.

“Every Altered dominant chord has its Rootless form a tritone interval away from its root”

Let’s try few example.

E7#5#9 as E-G#-B#-D-Fx [Enharmonically; E-G#-C-D-G] will have its rootless from a tritone away from the root which is E

So the tritone will be Bb.

Adding Bb to the chord we’ll have

Bb + E-G#-C-D-G

Juxtaposing it in stack of 3rd, we’ll have

Bb-D-Ab-C-E-G which is a Bb13#11 chord Harmonize from Bb Overtone scale [Bb-C-D-E-F-G-Ab

Also called Bb Lydian dominant scale or Bb Dominant #4 scale.

In modern music; Rootless chords had evolve from being a chord without the root note present.

Now you see a chord called rootless but the root is present in it but “Not in root position”

An example makes this better.

Cmaj7 in second inversion [EGBC] and third inversion [GBCE] can be termed Rootless.

Because the Root [C] is not the lowest note.

How to make your piano chords sound more contemporary with chord voicing

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A beginner keyboardist approached me today with a question, and it goes this way.
Please sir, i listened to a song today with a 2-5-1 Progression, and the keyboardist was really crazy with his 2 chord.

When he held his 2 chord, it doesn’t sound like the regular 2 chord on the key of C major which is D on the left hand and D+F+A+C on the right hand, atleast not really, but his 2 chord sounds more contemporary and spicier than the regular 2 chord.

Do you know how he did that?

Hmmmm i took him to my church and played for him when i voiced out the 2 chord in the Key of C major, he was really amazed then he said “Yes, that’s exactly how his 2 chord sounded” Can you show me how you did that?

Tonic solfa of Fall by Davido

By now you should know that my lesson now is based on voicings.
So many Gospel pianist has a different way of voicing chords and make it sounds more like the regular chords. E.g, Playing the Drop 2 voicing of the C major 7th which is G – C E G sounds different compared to the regular Cmaj7, C E G B also voicing a rootless voicing of the C maj9 chords this way, G B – E G B D, while the bass player plays the root note which is C, sounds more like the regular Cmaj9 chord which is C – C E G B D.
Voicing has to do with the rearrangement of chords using a technique known as voicing techniques.
This lesson is on the Key of C major for simplicity sake but if you do not play on Key C, transpose is at your service.

Chord 1:

The regular C major chord , C / C+E+G can be voiced thus,
LH/ RH
C+G+E / G+C+E+G or by adding a 9th tone
C+G+E / G+C+D+E G(Cmajor9) or
C+F+G / C+E+G you can also add you 7th tone if you like.

Chord 2:

the regular D minor 7th chord D / D+F+A+C can be voiced thus
LH / RH
D+A+C / F+C+D+F or this crazy stuff
D+A+E+F / G+A+C+E+G.

Chord 3: the regular E minor 7 chord E / E+G+B+D can be voiced thus
LH / RH
E+C / E+G+C or
E+C / E+G+B+C check out this one
E+B+D / G+C+D+G

Chord 4: the regular F major 7th chord F / F A C E can be voiced thus.
LH / RH
F+C+G+A / C+F+G+C

Tonic solfa of “Excess Love” by Mercy Chinwo

This is the solfa notation of “Excess Love” by Mercy Chinwo
Your love is kind                  m r d l
Your love is patient              s f m r t
You fill my heart                  m r d l
With so much peace and Joy           m s s m d t
You’re amazing                     r m l d
You make my life feel brand new           m r d s f r t

Backing Tracks!! Backing Tracks!! Backing Tracks!!

Jesus You love me too much ooo                   s f m d t l s f
Too much o, too much o, excess love o          s f m s f m f f m r

All Your promises again, and amen                d r m m r d l s r d
You’re not a man, You never lie                      s s s s m f m r
Too much o, too much o, too much o, excess love o.         f m l f m l s m d f f m r
Your love for me too much o                          m s f m f m l
Too much o, too much o, too much o, excess love o                        f m l f m l s m d f f m r

Tonic solfa of “Unlimited God” by Olamide Iyun

This is the solfa notation of “Unlimited God” by Olamide Iyun

No man can see the end of Your grace.         s  m   r   m  r   m  r  d    l
Ah ah ah                                                         s    r    d
No man can know the end of Your love.         s  m   d   m   r   m  r  d   t
Ah ah ah                                                          t     r    d
No man can see the end of Your glory.           s  m   r   m  r   m  r  d   d l
Ah ah ah                                                          s    r    d
No man can know the end of Your power.       s  m   d   m   r   m  r  d   r  t
Ah ah ah                                                          t     r    d

Solfa notation of “Igwe” by Mercy Chiwo

As far as the heavens stand                            d  s  s  s  f  m    f
Stand above the earth.                                    f   m  f  m  m
You are exalted, Unlimited God                       m  m  r d  t  r  f m r   m
As far as the heavens stand                            d  s  s  s  f  m    f
Stand above the earth.                                    f   m  f  m  m
You are exalted, Unlimited God                       m  m  r d  t  r  f m r   d

You are exalted,                        m  m  r d  l
You are exalted,                        f    f  m r d
You are exalted,                        m  m  r  d t
Unlimited God.                          r  f m r   d

You are exalted,                        m  m  r d  l
You are exalted,                        f    f  m r d
You are exalted,                        m  m  r  d t
Unlimited God.                          r  f m r   d




When I think that I have seen You             m  f  s   s  f  m   s   d l
You show me there’s much more               s   l    s   f     s     s
When I think that I have known You           m  f  s   s  f  m   s     t
You show me there’s much more                s   l    s   f     s     s
When I think that I have touched You         l   l  l     l  l  m    s    d l
You show me there’s much more               s   l    s   f     s     s
You are exalted, Unlimited God                 s   s  f m r    r  f m r   d
So please open up my eyes                      l   l     l  l  l  m   f
Open up my heart                                      l  l   l  f   m
Show Your word to me                              s    s    s  d  r
Great and mighty things                            l    l   l   m  s
I will open up my mouth                            s  s  l l   l  m  f
To say the words You say                         m  l   l   l     f   m
You are exalted, Unlimited God                s   s  f  m r  r f m r    d


Tonic solfa of “Nara” by Tim Godfrey and Travis Greene

This is the solfa notation of “Narakele mo” by Tim Godfrey and Travis Greene



He’s done so much for me,                      d    s   s   s    s  s
I can not tell it all                                      m f  m  r  d l
Narakele Mo                                            s  d t  r  d
If i Had ten thousand tongues                 d d  s  s   s   s     s
It still won’t be enough                             m  f  m   r   d  l
Narakele Mo                                            s d  t r  d
Chukwu na gwom o ria le                       d  d  s   l    s m  s
when You heal You heal completely       f    m  f   m   f   m  r  d
Nara ekele mo                                        s  d  t r  d
Chukwu mara obim o                              s   s  m m  r  f
isi ikendu le                                             m f m r d  r
nara ekele mo                                         s d  t  r  d


Tonic solfa of “Ajagun mafi ti’bon se” by Teeworship


What shall I render to Jehovah?             s   m  l  d  d s  m s f
for he has done so very much for me     s  t   t    t  s  m m  s   f  m
What shall I render to Jehovah?             s   m  l  d d  s  m s  f
for he has done so very much for me      s  t   t   t    s m m  l    t  d



Nara nara e, Narakele                             d m  r f  l  d m d l
Narakele Mo                                            s  d t r   d
Nara nara e, Narakele                             d m  r f  l  d r d l
Narakele Mo                                            s  d t r   d




Tonic solfa of “No Bondage” by Jubilee Worship(Atmosphere Chapter 2)

****No Bondage****
key of G

Theres is hurt  that can outlive      m r d   m f s l
The grace you freely give     d d   m f s l
It’s the raging flood      l s l s m
That covers us r r m m

Tonic solfa of “Emi na re oluwa”

For the thoughts that came to decay m r d   m f s s l
You sent love to strip them away m r d   m f s s l
And you let the truth l s l s m
That we’re free in you d d f m r

There is no bondage d s s f m
Every chain is broken m f s m d d t
There is no bondage d s s f m
Jesus our hearts are open m f s m d d t
No guilt    no shame   s m   s m
All my sins erased r m f m t d
There is no bondage d s s f m
Every chain is broken m f s m d t d

In your presence f f f f
There is freedom d r m d
Hallelujah f f f f
I am free indeed d r m r d

Tonic solfa of Ten(10)Yoruba Praise songs

Tonic solfa of Ten(10)Yoruba Praise songs

This is the solfa notation of Ten(10)Yoruba Praise songs for saxophonists and other solo instrumentalist.

Oluwa ku ise oo eee

Oluwa ku ise oo eee           l l l s l m l
Oluwa ku ise oo aaa           l l d l s l m r
Oni ko bi o su bu mo ro bi oo Eterete    l l s l d l s l    m r r m l s m
Oluwa ku ise ooo               r r s s f s r

Atewo ni mo fi a mo bi o ba moún re

Atewo ni mo fi a mo bi o ba moún re        d m m r r r r d m r m r r r

Eni oluwa se lore ooo

Eni oluwa se lore ooo      s s d d s s m d
ko no wo soke                 s m s s s
ose mi ooo                       l s l s m d
ose mi ooo                       f r f r
mo dupe lowo                  r s s r f r

Tonic solfa of “Omu mi wa laye O seun oo”

Jesu olugbala                   f d r d d d
halleujah                          r r f d
mowa dupe                      r f f f
eniyan lo lokole alaja mefa to jade laye         s s s d d s l d m r d r r d r r
modupe lowo                  r s s r m d
Jesu olugbala                  r l r r d d

Emi leni taye ti ro

Emi leni taye ti ro           m s s s l s m d
wipe kole da’n kan re se  s s m s l r r r
Sugbon o ri anu re gba    m l s l s m s m d
Olu orun                          m s d r
Lo ba mise                       d d l d

E ba mi ra baba fo ba ogo

E ba mi ra baba fo ba ogo       l d l s m m l s r m
oba tere re                               d d m d d
te re re                                     m d d
re re                                         d d
re re                                         d d
re re                                         d d
ka ri aye                                   m m r m

Amope wa   a muyin wa oo

Amope wa   a muyin wa oo     m s s s m s d s m
Ope                                          d m
Ope sir                                d m m

Olorun Agbaye oo, you are mighty

Olorun Agbaye oo, you are mighty        d d d m m s m d d m m

Oba ni oo

Oba ni oo                        l l l s
Oba ni oo    Oba ni oo       Oba ni            l l l s l l l s l l l
Oba ni oo                        s s s m
Oba ni oo    Oba ni oo       Oba ni            s s s m s s s m s s s

Alagbara bi ara oo

Alagbara bi ara oo             l d d l s m s d
Eya Judah                          m m r m d
Kiniu de                            d d m m
Eya Juday                         m m r d

Oba’lade wura de

Ode               m m
Ode               m m
Oba’lade wura de            d d m m r d l d

Most Popular Nigerian Fuji Gospel Songs

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Top Trending Yoruba Gospel Fuji Praise Songs

Nigerian gospel music is taking a new dimension as new our musicians are taking praises on a whole new level. Nigerian Fuji genre of music is a very interesting type of music to listen to. Fuji is enjoyed mostly by the Yoruba tribe in Nigeria because Fuji originates
from them.

Fuji music is sang in the Yoruba Language. Sometimes the musicians add very little of English language into it to spice it up, The English added to it is obviously with the deep Yoruba intonation encrusted on it.

Tonic solfa of “build my life” by Pat Berett (feat Chris Tomlin)

These are five(5) popular gospel Fuji songs sang by Nigerian Gospel musicians.

Fuji praise by Tosin peniel

 

Next Fuji Crew by Midnight crew

 

Fuji Christmas by Mike Abdul

 

Aye mi Dun gan by RCCG Wells of Life Choir

 

Fuji Carol by Dare Justified


Intentional Fuji by Mike Abdul