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6 Steps To Improvise Jazz Scales On The Saxophone by Marvy Sax


How to improvise Jazz Scales to your solo on the saxophone


Jazz is a genre of music centered around improvisation. If you ever have wondered how some guy can just make up that beautiful music as he/she goes, and want to do it yourself, this article is for you.

This article is brought to you by Marvy Sax. Fadipe Marvellous Ayooluwa popularly known as
Marvy Sax“, is an Ibadan based Gospel Music Minister, who is one of Nigeria’s most gifted
and captivating musician who as carved a niche for himself in music through ministering with his saxophone.(You can read more about Marvy Sax at the end of the article)

Steps to take to improvise jazz scales on the saxophone

1. Given that you know the basics of saxophone playing, learn your major, minor, dominant 7th, and Pentatonic/Blues scales and arpeggios IN ALL 12 KEYS. It is extremely important to be comfortable in all 12 keys (Not every song is in the key of C, G, or F). Although this may seem boring at first, it is the essential building blocks of improvisation(I bet John Coltrane and Charlie Parker were more than comfortable in all 12 keys).

2. After becoming comfortable in all twelve keys, learn how these scales and arpeggios fit into the twelve bar blues. Being the simplest and most common set of changes, the blues is essential for the beginning improviser. It might be easy to use only the blues scale for improvising on the blues, but don’t you want more than one sound?

Experiment with your scales over a play along cd–the most popular of these is the Jamey Aebersold series. After getting comfortable with the blues, start learning jazz standards. These are essential to any jazz musician looking for a job.

You can purchase real books or fake books, or use the Aebersold books that come with the play along. When learning a tune, start with playing the scale in time along with the recording or a play along, then play your arpeggios. This should help with memorizing the changes so you can begin making music.

3. Now that you’ve got some chord changes in your head, what are you going to do with them? Improvisation is quite literally composing on the spot, and it can be very intimidating in the heat of the moment.

Listening to your favorite players improvise is a great way to get ideas–you can even transcribe(figure out for your own use) a cool lick you find in a solo and learn it in all twelve keys, and use it in your own soloing. Eventually, you will want to transcribe as much as you can to obtain a good vocabulary of jazz licks.

This is the beginning to finding your own sound. Finding what you like about your favorite musicians will help you find your niche in music.

4. Alright, now you have the scales, the chord changes, and the vocabulary; you just simply need to put it together. You may find that you aren’t playing well enough in time when you play passages of eighth notes or sixteenth notes or triplets.

Work some time into your practice routine where you just play eighth notes with a metronome at a slow tempo in any given key or perhaps any given set of chord changes. Slowly speeding up your metronome will gradually put you right in the pocket, allowing you to play faster(but remember that the ability to play fast is not the ability to make a good solo, it is one of your tools to HELP your solo.

You wouldn’t want to throw a whole pepper shakers worth of pepper onto your food would you? It would overpower your meal as a whole. Use your fast technical stuff to spice up your solo, not to dominate it).

5. An extremely important aspect of Jazz is the conversation the soloist has with the rhythm section. You don’t need to fill every beat with notes–give your audience some time to take in your last idea, and give your rhythm section some time to respond to you.

Jazz is simply another language we use to communicate–and you wouldn’t want to talk to someone who just talks and talks and never listens to you, would you? The same goes with jazz.

6. Finally, be creative. Use different rhythms, syncopate, swing 8th notes to fit the style, build a sequence, repeat motifs, and just get into the music.

 About Marvy Sax

 Fadipe Marvellous Ayooluwa popularly known as “Marvy Sax”, is an Ibadan based Gospel Music Minister who is one of Nigeria’s most gifted and captivating musician who as carved a niche for himself in music through ministering with his instrument [the saxophone].

He was born into a baptist relation in a family of five(5) & hails from Ilesha Osun State, Nigeria, he is the first son of Evang & Mrs Olaolu Fadipe.

He started learning music at an early stage in the church and tries is hands on different musical instruments before falling in love with the saxophone which he picked up at the age of 12.

Marvy started his first musical band from where he proceeded to the “Federal College Of Animal Health & Production Technology” to study animal science [animal health & production technology]. This was a training ground for him as well as brandishing his talents.
The dexterous Marvy Sax whose content is deeply graceful and undoubtedly proven to be an immense blessing to his generation and the world at large is defined by what makes him
who he is.
He has a heart that loves and serve GOD with compassion for humanity, burn out of a passion for music. He reaches out to people through his music and encourages them to live a life of worship and services to God and humanity sharing the love of Christ everywhere they go. He is a singer,
song writer and a prolific Saxophonist.

Facebook: Marvy Sax Praise
Facebook Page: Marvy Sax Music Outreach
Email: [email protected]
Whatsapp @08148569278
Instagram @marvysaxpraise



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