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Solfa notation of “Do it again” by Elevation worship

Tonic Solfa of “Do it again” by Elevation Worship

do it again by elevation worship

This is the tonic solfa of “Do it again” by Elevation worship. It is suitable for pianist, saxophonist and other solo instrumentalist.

d r m m d l         Walking around these walls
d r m m d s         I thought by now I did fall
d r m m d f m s   But you have never failed me yet

d r m m d l          waiting for change to come
d r m m d s          Knowing that God knows all
d r m m d f m d   for you have never failed me yet

d r r m r           you promise you’ll save
d r m f m m     Great is your faithfulness
f m r d              faithfullness

d r r m r          i’m safe in your hands
r m f f m m     this is my confidence
d f m r d m      you never failed me yet

d s s s                I see you move
m s m l m          you move the mountains
d s s s                and I believe
s s s s m l m      I see you’ll do it again
d s s s                you made a way
d s m l m           where there was no way
d s s s                and I believe
s s s s m l m      I’ll see you do it again

d s s s                I see you move
m s m l m          you move the mountains
d s s s                and I believe
s s s s m l m      I see you’ll do it again
d s s s               you made a way
d s m l m          where there was no way
d s s s               and I believe
s s s s m l m     I’ll see you do it again

s s s s m l m     I’ll see you do it again

                  Get our ebook of solfa notation of over 350 Nigerian Praise and worhip songs

Tonic solfa of “Gracefully Broken” by Matt Redman ft Tasha Cobbs

 Tonic Solfa of “Gracefully Broken” by Matt Redman ft Tasha Cobbs

Gracefully Broken Matt Redman and tasha cobbs

This is the solfa notation of “Gracefully broken” by Matt Redman ft Tasha Cobbs. It is suitable for saxophonist, pianist and solo instrumentalist.

d d d r m r  All I have in these hands
m d l d     and multiply
d d r m r    God all that I am
m r d d      and find my heart
d d r r r r   on the alter again
m r d d     set me on fire
m r d d      set me on fire

m s l m     here I am God
f f f m      arms wide open
m s l   d d   pouring out my life
f f f f m     gracefully broken

d s m r d     all to Jesus now
d s m r m     all to jesus now
d d s m r d  I’m holding nothing back
d s m d r     holding nothing back

r d r d   I surrender
r d r d   I surrender
r d r d   I surrender
r d r d   I surrender
r d r d    I surrender
r d r d     I surrender
r d r d     I surrender
r d r d     I surrender

d d l d d d  Your power at work in me
d d l d d r   I’m broken gracefully

d d l d d s  I’m strong when I am weak

d d d f m d   I will be free indeed

               Get our ebook of tonic solfa of over 350 Nigerian praise and worship songs

Tonic solfa of “Healing wings” by Steve crown

Solfa notationn of healing wings by steve crown

This is the tonic solfa of “healing wings” by Steve crown. it is suitable for pianist, guitarist and other solo instrumentalist. Please share these post so your friends can see them.

healing wings steve crown


r m r d l               As we gather here
r m r d l s s         God is moving everywhere

r m r d l             Sould are desperate
r r m r d l d d    spirit of the Lord is in thos place

s f m l                To heal the sick
m f m s              mend broken hearts
f m l                   wipe your tears
l d d d d f m s     Is touching you with healing wings

s f m l                So lift your hands
m f m s              recieve your sight
f m l                   rise and walk
l d d d d f m s    Is touching you with healing wings

s l r              Holy ghost
s l m            Holy ghost
s l r              Holy Ghost

Get our ebook of tonic solfa of over 350 Nigerian praise and worship songs

Solfa notation of Aka Akaya(Soprano, Alto and Tenor part)

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Tonic Solfa of Aka Akaya(Treble, alto and tenor part)

  

This is the tonic solf in parts(treble, Alto and tenor) of Aka Akaya, a popular worship song in Nigeria.

A lot of us want to learn to sing our parts perfectly. Whether you’re a soprano, alto or tenor singer; you can only get better at it as you begin to practice more on a daily basis.

Soprano – Aka Akaya

s s m f s
m m t d r t d l
d d t d r
m r d d r d l s
m m r d s
d t s t m s f
l l m f s
d d s s l s f m

Tenor – Aka Akaya

d d s l d
s s m m f m r d
m m r m f
s f m m f m r d
s s f m d
m r d r t d l
d d s l t
m m t d r d l s

Alto – Aka Akaya

m m d r m
d d l l t l s f
l l s l t
d t l l t s f m
d d t l m
l s m s m f r
f f d r m
l l m f s f r d

Solfa notation of Jesus (You are able) by Ada

Jesus(you are able) by ada

This is the solfa notation of “Jesus(you are able)” by Ada. It is suitable for pianist, guitarist, saxophonist and other solo instrumentalist. The solfa notation is written against the lyrics of the song.


l s m r m d     what can’t you do jesus

d s s s f m m r   creator of the universe
d r m l   what cant you do
l s m r m d  what cant you do jesus

d r m r   you are able
f m d l s       great and mighty God
d r m r    m f    you are able    jesus

l t d l  there is nothing
d d t l s s    nothing you cannot do
d d t l s l      nothing you canot change
d d t l s s l t     nothing you cannot turn around

l t d l        you are able
d d t l s s    great and mighty God
d d t l s l     put my trust in you
s s s f m r    you are able
m d                jesus

Barre Major, minor and Diminished chord shapes(5th string) for the rhythm guitar

guitar chords

As We’ve previously discussed the Major, minor and diminished chord shapes taking the root from the 6th string; we equally want to discuss the Major, minor and diminished chord shapes tking the root on the 5th string.

Taking note of the background knowledge you need to easily understand this post, let us move on.

We would be showing you the major, minor and diminished chord shapes straight up.

Major Minor and Diminished Barre chords with root on the 6th on your rhythm guitar

How to play full barre chords on your guitar when you have your root note on the sixth(6th) string.

Assuming it is convienent for you to accompany a song when the root of the song is on the sixth string of yout guitar. How do you do that?

We would be giving you chord shapes, these chord shapes would make it extremely easy for you to play any chord for any note. 
The three chord shapes that we would be giving you today is that of the Major, Minor and Diminished. With these chord shapes, you can play the chord tone scale; I mean “d r m f s l t d”
Barre chords on the sixth string. By now you should know that the sixth string is the thickest string on your guitar. Now we want to learn to play chords taking your root note from the sixth string. Every chord has a root note.
For example the C major chord    C E G has a root, the root is C
So let us begin,
It is easy to play and know your chords on the guitar because you just need to memorize how the shape looks like.
First of all, do you remember how to play the major scale on every string?
We learnt how to do that in one of our previous lessons. You can do a quick revision. We would give you an expo here:
                         
                    C   D   E   F   G   A     B   C
                    d    r    m   f    s     l      t     d
Our root here in the diagram above is in the key of C,
From C to D to E to F to G……Technically we are moving from right to left in the diagram above.
We have different types of chords. For a start we would be looking at mainly major, minor and diminished chords.
Generally, in most songs construction
D    r    m    f    s     l       t        d
M   m   m   M  M  m    dim    M
M – major
m – minor
dim – diminished
Now that is why we would be looking at the major, minor diminished chords basically.
It would be like that for all other chords on other strings that we would be looking at.
  Now back to the main business:
               
                                                          
 
When ever you want to play:
doh – you would use the major chord shape
reh – minor chord shape
mii – minor chord shape
fah – Major chord shape
soh – Major chord shape
lah – minor chord shape
tii – diminished chord shape
doh – major chord shape