Michael Phils Music ebook

Advanced Piano chord voicing and application by Elmond Isaiah Part 3

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F# (9)/Bb

 F# (9)/Bb First Voicing: Bb+G# / C#+F#+C#

Advanced Piano chord voicing

Application:

  • This chord voicing type has a mix feelings of being either ii or iii. But primarily it is a root chord.i.ei chord.
  • This chord voicing type can serve as iV chord to C#.
  • This chord voicing type can also serve as Vii  to Ab.

F# (9)/Bb Second Voicing: Bb/C#+F#+G#

Advanced Piano chord voicing

Application:

This chord voicing type can serve as iii chord to F#.
When you have a progression such as iV – iii – ii – i, the chord voicing above can serve as the i.

F# (9)/Bb Third Voicing: F# / C# + G# + Bb

(The name of this chord changed to F# (9) (F sharp ninth) because of the change in voicing)

Advanced Piano chord voicing

Application:

This chord voicing type can serveas a root chord.i.e F#.

F# (9)/Bb Fourth Voicing: C# + Bb / G# + C# + F#

(Thename of this chord changed to F# (9)/C# (F sharp ninth over C sharp) because of the change in voicing)

Advanced Piano chord voicing

Application:

This chord voicing type can serve as iii or V to F#, depending on your chord progression or other chords you played previously.

F# (9)/Bb Fifth Voicing: C# + Bb / F# + G# + F#

Advanced Piano chord voicing

Application:

Depending on the kind of progression you are playing, this chord voicing type can be i or iii chord to F#.

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