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Best cars for a gigging musician

This post was compiled from www.contracthireacar.com & www.arnoldclark.com

Having worked in the music world for some time now, I’ve had many vehicle-related conversations with musicians over the years, from orchestrating logistics when a band member’s car broke down and none of the other musicians had a car large enough for the drum kit.

I want to share with you some typical vehicles that could just be what you need for your musician life-style.

Nissan Leaf

If you play a smaller instrument, such as a violin or guitar, a compact car may suit you perfectly well, in which case a Nissan Leaf is a good choice, offering five doors and decent levels of comfort.

Mitsubishi Outlander PHEV

Like the Leaf, you plug this large Mitsubishi in when you want to charge it, PHEV standing for Plug-in Hybrid Electric Vehicle.

The Outlander PHEV is a full-size SUV (Sports Utility Vehicle) and is powered by two electric motors and a petrol engine. The benefit of the Mitsubishi is that it can travel upto 32.5 miles on pure electricity, which is great.

Honda Civic

Just because I’ve never been a fan of the latest Civic’s styling on the outside or inside doesn’t mean I’m blind to its many virtues.

Honda unarguably makes some of the most reliable, robust cars around, so any worries over something breaking on the way to or back from a gig can be put to the back of your mind.
The Civic is packed with plenty of standard safety features, including the City-Brake Active system, and combined fuel consumption from the 1.6 i-DTEC diesel engine is cited at an excellent 78.5mpg.
It emits only 94g/km of CO2 meaning the Civic currently attracts zero road tax. The best thing, though, is its boot, offering a class-leading 477 litres. The ‘Magic Seats’ in the rear fold in a number of ways with a single touch and the under-floor storage compartment is big enough for smaller instruments like clarinets.
Fold the seats down and 1,378 litres becomes available, although there is a lip to negotiate, making it less ideal for loading heavy amplifiers and other PA equipment in. The Civic is 1,770mm wide, 1,470mm tall and 4,370mm long, to help you calculate if the boot may be big enough for a double bass or full-size stage keyboard.

Hyundai Santa Fe

The Hyundai Santa Fe is a good all-rounder that hits most of the marks you need to be thinking about. Whilst Hyundai offers a five-seat Santa Fe with a huge load bay, it’s worth forking out a bit more for the seven-seater, due to the two third-row seats that fold up from the boot floor.

Whilst these extra seats might not make the Santa Fe the perfect car for tall people, smaller adults will be fine, and boot space is still huge with the third row of seats up. This is just in the back though, so rest assured there’s plenty of head- and legroom in the first two rows of seats.

Mercedes-Benz E Class estate

The Mercedes-Benz E Class estate is the most expensive car on this list, but it is also unbeatable on boot space.

The E Class estate has almost 200-litres more boot capacity than the Ford Focus, sitting at a huge 695 litres – which is best in class. You can also create a completely flat floor by folding the back seats down, which ups the boot space to 1,855 – 1,905 litres.

Tinted rear windows also provide peace of mind if you need to leave your gear in the back at any point.

Fuel economy is also great considering the size of this thing (on the E300 Bluetec hybrid model). The combination of the 2.1-litre diesel engine with electric motor makes the E Class estate E300 hybrid unbeatable in its class for fuel economy. Saying this, the regular diesel engines aren’t much to shout about on that front.

Ford Transit

We know it might be difficult to take the plunge and become a ‘White Van Man’, but for a trusty classic, you’ll find it hard to beat a Ford Transit.

If you need to fit the whole band, that’s no problem – the Ford Transit has second- and third-row seating options to fit seven adults (and more comfortably than the Santa Fe). If you’ve got more gear than friends, just fold the seats down and revel in the 6.0m3 load capacity of the short wheelbase model, or the even bigger 6.8m3 SAE of the long wheelbase model.

Not only is there a shed-load of space, but there are also innovative features built-in, with transporting equipment in mind. Ford have included a deployable integrated roof rack, a load-through hatch in bulkhead (for tall items), locking check arms that allow doors to be locked in place at 90°, repositioned tie-down hooks and fixing points, easy-clean load floor liner and ultra-bright LED loadspace lighting for those late nights. Phew! You really will be hard-pressed to beat that.

The Ford Transit also has excellent fuel economy, with low CO2 emissions and low running costs thanks to the lighter body and aerodynamic shape.

Skoda Octavia

If you don’t have enough gear to warrant buying a van, but need something with a bit more room, the ŠKODA Octavia estate is a solid choice. There’s ample room in the boot at 610 litres with the seats up, and with the seats folded, it’s nothing short of cavernous with 1740 litres of space.

You have the option of getting a super-green diesel engine that achieves 88.3mpg and 85g/km, not bad for those long road trips! However, do bear in mind that there’s a step in the boot when the seats are folded, so you don’t get a nice flat load area which is easier to move things in and out of.

The Octavia estate was awarded a five-star Euro NCAP rating and comes with an impressive safety spec as standard, including post-collision braking.

Meet the One handed drummer of best selling band in the 80’s

Def Leppard is known for it’s monster hits “Hysteria” and “Pour Some Sugar On Me,” but part of their draw has always been the inspiring story of drummer Rick Allen.

 As a 21 year old, before Def Leppard’s greatest success, Rick made a reckless turn in an automobile and lost his left arm in the accident. Following the accident he was in a deep depression because he thought he wouldn’t be able to drum for Def Leppard any longer.
He and lead singer Joe Elliot began to design a drumset that he could play with only one arm. The kit would become not only a staple for Def Leppard, but an innovation for other drummers who are missing limbs. After the innovative new drumkit was finished, Def Leppard went on to be one of the best selling bands of the 80s.

Source: beliefnet.com/

FROM SLUM TO STARDOM – TOUCHING STORY OF A Musician

vocal slender
 
“It’s not a crime to clean the gutter,” the one-time Lagos-based scavenger says, “but ensure you don’t continue to remain in the gutter.”
His grass-to-grace story resembles that of the star international footballer, Odion Ighalo, the veteran footballer, Taribo West, or the ace musician and Galala dance exponent, Daddy Showkey.
These are stars that were born and raised in the slum of Ajegunle, Lagos. They, however, rose above the stigma of being ‘nobody’ to becoming Very Important Persons (VIPs). Today, their stories have turned out to be something of an inspiring tonic to millions of youths struggling in several ghettos sprawled all over Lagos and even beyond.
Like Ighalo who played on an empty stomach at the notorious Maracana Stadium before hugging the limelight or Daddy Showkey who was a street boxer, Mr. Eric Obuh a.k.a Vocal Slender spent most of his growing-up years as a street urchin mingling with thugs.
But today, the once dirty forager trying to eke out a living in the mire of refuse dumps has morphed into not only a popular musician and thriving entrepreneur-dealer in cars but also a powerful motivational speaker. His story is another testament that dreams do come true when and where you least expect it.

How he got his name ‘Vocal Slender’

Residents living around Prince Fadina Street, Ajegunle, Lagos, are all too familiar with Eric Obuh. He’s a well-respected youth leader in the community. But be warned. They don’t know him by that name. In fact, you could get lost if you walked into the community asking for Eric Obuh. First, you would get a queer stare from members of the community who would, after scratching their hairs, tell you that they don’t know the person you are talking about or that the fellow you refer to by such a name does not live in their neighbourhood. But mention Vocal Slender and watch a three-year-old child excitedly point you to a cream-coloured bungalow, the place of his abode.
Standing tall at 6 ft 2”, blessed with a hulky frame, chubby cheeks and calm mien, Eric Obuh’s look belies his alias ‘Vocal Slender’. “Slender was what they called me back then on the streets because I was very lanky. I didn’t call myself that”, he said with a shrug. “I added ‘Vocal’ to show that I’m out to voice out against the oppression and neglect of the poor and the vulnerable.”

From plenty to penury

Vocal Slender together with his four siblings’ did not start their childhood from penury. They were born in a middle-class home till things went awry for their father. “I was not born in a poor home,” he explained. “My father was an accountant until he was duped, and then lost his job. That was when things started to go bad for us. But before he lost his job, he had separated from my mother. So with no mother to take care of us, and no money to feed us, my father was forced to share out my siblings to some of our relations and friends. He took my three-month-old brother to my aunty at Ibadan, while one of my younger sisters was sent to the village. My father remarried, moved in with his new wife and took my younger sisters along with him. My elder brother and I were left to fend for ourselves. I was six years old then, and things were so tough for us. My brother and I couldn’t even afford toothpaste to brush our mouth with before setting out to school. Relatives that stayed in our house when things were rosy all left, abandoning us to our fate.”
Broke, hungry and abandoned, the future looked bleak for Vocal Slender. But Providence took care of things. “I was living in a swampy area at Ora Street close to New Road,” he recalled. “I distracted myself by inserting vegetable stems into the marshy ground. To my surprise, when I came back a few days later, I noticed that some of the sticks have started blooming into nice looking plants. I was amazed, so I started tending them and nature blessed me because the plants were propagating by themselves all over the swamp. So I became more serious about it, cultivated ridges, dug a well and planted okra, maize and assorted vegetables. I harvested the crops and people were eager to buy from us at the market because our crops were much bigger and fresher. So we made little money, and life became sweet again.”
But during the rainy season, Vocal Slender did not sell vegetables because the swamps become flooded because of the increase in the water level. This prompted them to develop another means of survival. Here again, fortune smiled on them. “We switched over to poultry and built a scrappy cage with wood and planks we picked from the street. We then bought a hen and a cock, and in no time the hen laid 15 eggs and hatched 13. And from that 13, we had 11 hens and two cocks. The 11 hens kept laying eggs till we had countless birds everywhere.”
In the crucible of suffering
Impressed with the resilience of the two brothers, the entire neighbourhood nicknamed them ‘farmer boys’. But sadly, ‘good things’, as they say, ‘don’t last long’. “We got evicted from our house when the rent expired. My brother and I didn’t know our rent was to be paid, so when the notice came, we couldn’t save enough money to pay for it. We got thrown out, and our father took us to go live in church premises at Oyekere Street in Ajegunle. However, living there didn’t help our condition. They weren’t feeding us, so we continued to hunt for food. I started selling water but later started scavenging at Asapo.”
For Obuh, then a 10-year-old boy, scavenging was indeed a brutish means of survival and on March 3, 1993, he nearly paid dearly for it with his life when he almost got killed while sleeping under a shed, after a tedious day. A reckless driver drove against traffic, and, in the process, rammed into the spot where Vocal Slender was sleeping. “I was almost crushed, but I found myself inside the gutters,” he recalled. “I sustained ghastly cuts on my legs and was bleeding profusely. Kind-hearted passersby that knew my sad story helped to carry me to the church and took care of me. One month after, I was still on crutches. At that point, the church got tired of keeping us and threw us out of their premises. We had no place to go so we went and started sleeping at Wilmer Bus-stop.”
Getting kicked out into streets with his injuries opened Vocal Slender’s eyes to how wicked the world is. “I realized that indeed there’s so much wickedness in the world. I wondered at how a church could throw out a wounded little boy like me. I also wondered why my stepmother and father didn’t want to have mercy and take us in.”
The tough gets going
But when the going gets tough the tough keeps going. At this point in time, their friends had mercy and took them in to come live with them at Goriola Street. Goriola is more than the name of a street lane in Ajegunle; it is a notorious habitat of ragamuffins and ruffians. Over there, break-ins, fighting, drugs and muggings were the order of the day, and young Vocal Slender got enough daily doses of the vices.
“At Goriola, we faced a lot of insults, beating and fighting because we had nobody to protect us,” he said as he shook his head. “We kept sleeping from house to house. When I got back on my feet, I went back to scavenging. Life as a scavenger was tough because of the abuses and stigma. We were called names like Kongis, bottle-pickers and Father Christmas. I scavenged up to Badagry into Cotonou. I entered a bus to Agbara and then trek to those areas. Also at Badore around Ajah axis, I encountered snakes and crocodiles severally. Life as a scavenger doesn’t give one much choice about the future because when you get tired of it, the next likely option would be to fall back into crime.”
Encounters that changed his life
But the fear of becoming a criminal spurred Vocal Slender to go into music. Writing songs was an avenue for him to vent his frustrations. Rather than going into crime, he preferred hanging out with his criminal friends. It was in this process that, in 2001, at the age of 18, one of his gangster friends told him something that changed his life for good. “I was in a nightclub with my friends when one of them called Awe took me aside and spoke to me. He asked me why I keep following them; that they are all criminals. He looked me in the eyes and advised me to stop coming to them because I could get killed. He said I’m not a thug and I don’t belong in their group, and that I should rather focus my mind on pursuing my music career. I had goose pimples listening to Awe tell me that. But barely one month after he told me that, he was shot and killed in a shoot-out with the police.”
Those words and his friend’s death made Slender brace up for life. First, he stopped moving with his hoodlum friends. But in order to survive, he hit the streets again and started scavenging till he had another sad experience. “I started scavenging till I ran into my sister at Satellite Town. We were shocked at seeing each other. She called me by name, stood motionless looking at me as tears streamed down her cheeks. I was angry at myself, so I just walked away from her.”
But that encounter made him quit scavenging. He discussed with his brother, and together they rented their own apartment and brought their sisters together again. But shortly afterwards, he went back to scavenging at Ojota, after becoming broke.
Ojota dumpsite or Olusesun landfill is the scavengers’ haven. It is a 100-acre dump that lay on the Lagos-Ibadan Expressway entry into Ojota bus stop and nearby Oregun. It is said to be the largest in Africa and one of the largest in the world. Ojota dump receives up to 10,000 tons of rubbish each day. With all that garbage Vocal Slender was back in business.
“I made about N350 on my first transaction at the dumpsite and I was very happy. Ojota dumpsite is like another world on its own. We were about 5000 persons living on the dumpsite. We had more people from the northern part of Nigeria, but we loved and protected one another. Many of us at the site feasted on expired edibles like gala (sausage, snack), bread and oranges thrown out by food companies and local fruit sellers. Whenever I call their attention to the fact that the food is spoilt, they would laugh at me and said, ‘e don spoil but e never rotten’. I settled at the dump, built a house for myself and started saving money to record my song.”
From slum to stardom
With no mentor or guardian to show him the way, Slender found succour in the reading of various books thrown away at the refuse dump site. “All kinds of books and documents were always thrown at the dumpsite, and I read as much as I could,” he recalled. “I read more than 100 different great books. I read books on the Nigeria-Biafra War, encyclopaedias, religious books like Bibles, Koran and deeply spiritual books from AMORC and Eckankar. Reading them really opened my eyes to a lot of things. I learnt the power of imagination after reading, The Flute of God, by Paul Twitchell. It changed my thoughts about life and helped me forgive my father. I developed a positive mindset towards my future.”
As he was yet to release his album, he sang for the fellow scavengers at the site until his songs became everyone’s favourite. “In 2010, I gathered all that I’ve saved and decided to hit the studio. But few days to my record date, I was rehearsing and singing at the dumpsite when some white people walked up to me to say they are from the BBC. We scavengers are used to seeing white men come to take pictures at the Ojota dumpsite. So it was no big deal when they came to me. They asked me questions and they seemed impressed with the answers that I gave. They then said they would love to come observe me doing my recording session. And I gladly accepted.
“After the recording, they offered me money asking for permission to do a documentary on me. I initially declined because I didn’t want my family or my friends to see me in the news and now realize that I live at a dumpsite. But when they told me the programme would be aired in the UK, I agreed because I was sure no one close to me resides in the UK. However, I refused to collect their money. Rather, I gave them a copy of my CD to go promote in the UK. I was still at the dumpsite when I heard that that documentary ‘Welcome to Lagos’ has been nominated for several awards. And before you know it, I was all over local and international media, winning awards and going for music tours in the UK.”
The lessons learnt
Vocal Slender’s life story comes as a living testament to the famous saying of Zig Zigler: ‘Success occurs when opportunity meets preparation’. Looking back, he said: “I imagine if I hadn’t booked for that studio session, the BBC crew could have felt I wasn’t serious. This is why I want to charge the youths that there is dignity in labour. It is not a crime to clean gutters, but ensure you don’t continue to remain in the gutter. You can in that gutter still aspire to be great. If a man wants to change his world, he will need to change his thinking and when you change your thinking, you change everything about you”.
By HENRY OKONKWO
Source: sunnewsonline.com/

Touching story of how Asa got her first recording deal

asa

Growing up, Asa only had one friend; her guitar.
She carried it with her everywhere, plucked on it everywhere, escaped with it into her personal world, and created music. The art was her means of escape, and she chased it to the ends of the earth.

That art has paid off, and we have the mystery and performance juggernaut that we have now. But it wasn’t always like that. Asa had to go through the same route that most artists go through. That route involved sorrow, tears and pain. The emotions from that is what she has infused into her music.

A typical example of how these emotions fuel her music can be found in the story of how she got her first deal. The specifics of this story are not clear, but the singer shared some details during her ‘Asa Live In Lagos Encore’ concert which held on April 29, 2017 at the Eko Convention Center, Eko Hotels & Suites, Lagos.

The singer shared the touching story as an inspiration. Here it goes:

In 2006, Asa was a student in Paris. She was a regular student, with big dreams about using her music to go places and achieve. And then one day, she found an advert calling for talents to audition for a gig. She had prepared all her life for this, and showed up ready to kill the show with her talent.

But she was ignored. The original band members were rehearsing, and Asa was left to wait. She waited for the first hour, the second hour, the third hour and the fourth. The fifth came and left, and so did the sixth. But Asa persisted. She waited for a total of 10 hours just to audition.

She was tired, hungry, famished and exasperated. She was moved to tears, but held on. All she wanted was to perform.

“I was tired and hungry, and the emotions built up in me. They had completely forgotten about me. It was when they were packing up their equipment that they remembered me and called me to perform.” Asa said.

“I simply just poured all of that emotion into my audition and I got the slot to perform at the gig”she said.

On the day of the show, which was on a Thursday, Asa was given two minutes to perform. After honing her art ever since she was a child, it was a cakewalk. By the time she was done, 5 record labels were fighting for her signature.

She later signed to Naïve Records, and everything aligned until she released her critically acclaimed, multi-platinum selling, self-titled debut album “Asa”. That album is 10 years today.

In the end, everyone has their story. Great artists have a world of stories to share about their rise to stardom. And for Asa, these stories have created enough emotion to energize the music, and the fortitude to stay on the good path.

Source: Pulse.ng

“covenant keeping God” Soprano, alto and tenor tonic solfa by victoria orenze

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This is the soprano, alto and tenor part of “covenant keeping God” by Victoria orenze. It is very important for singers who want to be very good at harmonizing songs.

victoria orenze ministering

soprano

l l l l l l l t d                You are the covenant keeping God
d d d d d d d l t           You are the covenant keeping God

Alto

d d d d d d d r m              You are the covenant keeping God
m m m m m m f m r         You are the covenant keeping God

Tenor

f f f f f f f s l              You are the covenant keeping God
l l l l l l l l s              You are the covenant keeping God

The remaining part of this song is in unism i.e all choir parts would sing the same notes.

 
 

“Covenant keeping God” solfa notation by Victoria Orenze

This is the tonic solfa of “Covenant keeping God” by Victoria Orenze. It is suitable for saxophonist, guitarist, pianist and other solo instrumentalist.

victoria orenze ministering

l l l l l l l t d              You are the covenant keeping God
d d d d d d d l t         You are the covenant keeping God

r r r r d                You’ll never leave me
r r r r r r r d         You said that you won’t forsake me
m m m m r          You’ll walk besides me
d f m r d d t         And that is all that matters

Get the soprano, alto and tenor part of this song here for your choir

Bass Line of Na you by Dunsin Oyekan ft Kim Burrell(in solfa notation)

This is the bass line of Na you by Dunsin Oyekan featuring Kim Burell in solfa notation. Please make sure you share this video to all upcoming bass guitarist so they can find it helpful. Beginner piano players would also find it helpful because they would be able derive the progression for their chords from the bassline.